mattmaber said:@jseltzer because its up to Fuji to divulge the sensor details to Apple and Adobe - which they dont do
Christopher said:I can confirm the observations in the article above. There is severe chroma smearing in green foliage in particular :(



mattmaber said:@jseltzer Do you not wonder how one small piece of software DOES have X-Pro1 RAW support from the off, yet the massive Adobe and smaller but popular Apple have to take time to come out with support?
Fuji choose who they share the details with, other companies are on their own, why Fuji choose who they do I couldnt say.
And Im not suggesting Fuji need a software house, clearly not, they just need to speak to Adobe and Apple.
Im just saying its incorrect to put the blame in Apple & Adobes hands.
jseltzer said:Almost by definition, everyone that purchased the XP1 before Adobe support are impatient by nature (we all are early adopters, no?)
jseltzer said:
jseltzer said:Well, I'll defer to you all as you clearly have insider insight into the relationship between Fuji and Adobe. Makes total sense that Fuji would refuse to give any info to Adobe, then just sit and laugh as they struggle to provide support while people bitch and complain on forums about poor quality and no RAW support.
FinePixCamera said:
jseltzer said:Well, I'll defer to you all as you clearly have insider insight into the relationship between Fuji and Adobe. Makes total sense that Fuji would refuse to give any info to Adobe, then just sit and laugh as they struggle to provide support while people bitch and complain on forums about poor quality and no RAW support.
Thom Hogan tears Fujifilm a new one.....
"An aside: Fujifilm is to be reprimanded for introducing a new sensor pattern into the market and not working closely with software developers prior to the launch (I'm not sure they're working all that closely after the launch, either). This is blatant disregard and disrespect for the serious photographers Fujifilm targets, in my opinion. We have an existing workflow. We don't want to be forced to change that workflow and our software mix to get good results from our raw files. So we're forced to change both camera and workflow to use an X-Pro1. Bad call, Fujifilm. But they're not the only Japanese company that keeps making this mistake. I keep hoping that some Japanese camera company will finally get over the software NIH (not invented here) syndrome and realize that there's a huge advantage to integrating new equipment into existing workflows. Huge. "
mattmaber said:@flysurfer i only asked because it seemed odd to go from LR4 to Aperture





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