Film Simulations – Velvia vs. Provia
  • john_pajohn_pa
    Posts: 19
    I usually shoot RAW and process through a number of software products on a large and regularly calibrated monitor with controlled ambient light in the room. When I’m in my office (goofing around) I don’t have a RAW converter however, so I do an in-camera JPG conversion and then pull the JPG into an ancient copy of Photoshop Elements that I have there. The PP in this case was just sharpening and a little “levels” adjustment to brighten it up a bit.

    I was fooling around today with this and did a RAW shot of an iris flower and converted it with the default Provia and then the Velvia. I then tried as best as I could to keep the PS-Elements processing the same. I have two different computers and (uncalibrated) monitors at my desk, and the results were very different. On a laptop screen the Velvia looked great, but on a stand-alone desk-computer monitor it was WAY over-saturated. On the other hand, the Provia version was the opposite; looking real good on the desk monitor and gray and washed-out on the laptop. I’ll have to check this tonight on my home (calibrated) monitor, but here are the samples for your interest.

    Which “film simulation” do you use if/when you have occasion to do in-camera JPG?

    Fujifilm X100; ISO-200(auto); f2.8; 1/340-sec; -1ev

    VELVIA
    Iris-Velvia

    PROVIA
    Iris-Provia
  • ChristopherChristopher
    Posts: 2,142
    Since I shoot RAW I haven't had a chance to try out the other film simulation colors, but from all the photos I've seen on Flickr, I've always felt VELVIA was extremely over-saturated. Not to say that they don't look nice in certain settings, I just find it a bit too surreal for my tastes.

    In the example above, the VELVIA looks over-saturated, almost too bold and unnatural, but when I scroll down to PROVIA it feels bland by comparison. I bet if I didn't see them side by side, the PROVIA looks more true-to-life.

    I am curious to try ASTIA with some portraits, I've always liked the examples I've seen on Flickr. It would be nice if someone would release an action/profile/script for Lightroom or Photoshop that could mimic the film modes' processing for RAW files.
    Fuji X Series Administrator · ChrisMarks.com · Space Cadet Photo Blog · Flickr
  • john_pajohn_pa
    Posts: 19
    I use NIK software modules a lot (These are GREAT by the way, but maybe for a different discussion). Anyway, the NIK module called "Color Efex-Pro" has literally dozens of film simulations available for Fuji, Kodak, Agfa and others, including built-in grain characteristics as well as saturation and color tones.
  • ChristopherChristopher
    Posts: 2,142
    Oh wow that sounds awesome! I've noticed a lot of people use NIK for their black and white conversions. I wonder now the X100's simulations would compare to NIK's interpretations...
    Fuji X Series Administrator · ChrisMarks.com · Space Cadet Photo Blog · Flickr
  • AC5AC5
    Posts: 9
    If you've ever used (standby...FILM...) Astia/Provia/Velia/Fortia in the various speed incarnations,I think you'd more easily be able to accept these variations.
    Just choose what you like!

Hello Photographer!

Love your Fujifilm X-Pro1, X-E1, X100S, X100, X20, X10 and XF1? We do too! Join a forum community of fellow Fuji X Series photographers to receive tips and advice on using your X-Pro1, X-E1, X100S, X100, X20, X10 or XF1, show off your latest photos, and share your experiences with these awesome cameras.

Sign in or create an account below to join in the discussions!

Login with Facebook Sign In with Google Sign In with OpenID Sign In with Twitter