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I know very well that this can (re-)trigger some heated discussions - I know @pominpocket will agree, but I just want to share a couple of images I recently spotted. "Brassing" or "faked aging" (link to article on this transformation art) is not everyone's cup of tea, but here we go. The recent Lenny Kravitz Edition of the Leica M-P 240 (link) has stirred up quite some debates on this hipster phenomena - quite understandable as there is nothing real about it and it seems odd that this fake worn-out look adds anything. For sure my wrinkles (and they are real by now) and the corrosion on my car does not increase market value in any way. My worn-out Levi's might be a different story... Anyway, this dude (on a competing forum) accidentally scratched his new X70 and then decided to go full monty with a bit of sanding paper: There are some brilliant remarks in the discussion pointing out that using the Fujifilm film simulation (or indeed any post-processing) is also "fake" and even the styling itself of Fujifilm X series cameras is borderline faking. In the thread, some images of a bruised X-Pro 2 also appear: Not sure who did the above, but Fujifilm did their own version and in a recent article on the design work  (with many interesting mock-ups displayed) and production facilities (link), one images show an X-Pro 2 having undergone some  simulated aging process for testing. And this is serious business; Highly Accelerated Life Testing (HALT) techniques are important in uncovering many of the weak links of a new product and test the durability of a product . Normally products that have undergone such testing are been scrapped, but I would say in this case, this X-Pro 2 looks quite good and has at least the same amount of character added as any "Lenny Kravitz Edition" - could be just as relevant a releasing a silver version... Could be interesting to see what the simulated aging has done to the LCD - hope it had some Gorilla glass fitted...

Hi all. I've just noticed a blob in my EVF view, it's most distracting. (X-Pro2) I cleaned both the eyepiece, and the rectangular viewer, and changed lenses. It seems I have a large piece of black dust in my EVF, I say this, because I can't see it in the OVF. Also, if I use the diopter adjustment, I can bring this blob into focus, it is black, and bean shaped, with sharply defined edges. Any suggestions how I can get this distracting object out of there? Cheers all, John Williams :-)

When in single shot mode, or focus locked with back button or manual focus, I always been able to shoot the X-T2 as fast as I could stab the shutter button repeatedly. Several shots per second, no problem.X-Pro2 doesn't behave like that. In the same escenario, same settings and lens, the camera makes a pronounced pause after every shot. It's shooting only on every second or third shutter button stab, approximately. It lags even at the first shot in manual focus.I've learned that Imaging Resource calls the phenomenon "early shutter penalty". Their X-Pro2 review found that the camera suffers from it. On burst mode it doesn't pause, after a few tests I realized its because for every shot in single shot mode, it opens aperture to its largest, making f5.6-f16 the slowest, and f2-2.8 the fastest. I do a lot of street or documentary work and I need to shot like this from time to time. Burst mode doesn't work as I do end with a lot of almost identical shots. Is there a configuration to fix this? or is just how the camera firmware behaves??

I normally shoot RAW+JPG and use the backup functionality of X-Pro2/X-T2 to have some peace of mind when traveling or shooting weddings. I currently have 4x32GB backed up to a 128GB card per camera, but card management had became an issue. I was thinking in switching to a 128GB backed to another 128GB per camera, since its already backing up, I do not see a problem.... but what do you think? would I risk too much with this? Thanks

Hi! Selling my beloved X-Pro2 kit since need a little lighter set-up. Would be interested in a trade to X100F. X-PRO2 body + metal grip (improves ergonomics) Bought in EU, should still have a valid warranty. Light usage marks, but nothing significant. Box and all the regular stuff included. Fujicron XF23 F2 Bought in Japan. There is a warranty card, not sure if warranty works in EU. Box, covers, and all the regular stuff included. The lens is in perfect condition, a few scuffs on the hood. I'll add an extra metal screw-on lens hood. I'm asking for 1490€ for the set. Located in Vilnius, Lithuania, but it's pretty cheap shipping anywhere in the world from there. I also have an XF14 for sale for 550€, if someone would be interested.

Cures the problem of XP2 freezing-up in CH mode. http://www.fujifilm.com/support/digital_cameras/software/firmware/x/xpro2/download.html

I need some input on this question. After long deliberation the final lens candidates are the 16mm and the 10-24 mm zoom. I know that both are big and heavy - not a problem. I intend to use the lens on small aperture - above f5.6 - exclusively for landscape. I would like to know landscape shooters opinion. Thanx!

I am still hanging on to my X-Pro 1 but existing case needs to be replaced and I have spotted a few halfcases – nothing on the back, little on the sides and mounted with a screw in the tripod mount. But nowadays most of these are for X-Pro2; is the tripod mount in the exact same location? The AF switch? Surely, someone will be quick and point that I should just move on to X-Pro 2 - and I might at some point. Maybe I should just buy a case, and if doesn’t fit, buy the X-Pro 2…

I've previously owned a X-Pro 1 and x100, but ultimately ditched them for film, and eventually Leica. I've really enjoyed using zone focusing and taking autofocus out of the equation. I'm currently saving my pennies for a Leica 21 Super-Elmar, but geeeeeeeezzzz it's expensive. With prices on the used market, I'm being tempted by an x-series camera 14 f2.8 and 23 f2. in my previous experience, zone focusing on an X had two big drawbacks: the INCREDIBLY conservative DoF scale shutter lag in manual mode, it appeared that the aperture would stop down and the camera would meter after the release was pressed and before the shutter would fire. Have these issues been addressed through firmware updates or the new cameras? Anyone out there with both Leicas and X Series that can comment on zone focusing with both?

http://www.fujirumors.com/rumor-massive-kaizen-love-fujifilm-x-t2-x-pro2-march-may-33-improvements/ 2 firmware updates coming. One March, Another scheduled for May for X-Pro2 and X-T2 - 33 improved features expected inc. extended bracketing (maximum of 9 shots in total) updates for the AF system copyright info to exif improved video functionality viewfinder enhancements GUI change many others

Slimming down my equipment so have the following for sale:- X-Pro2 X-Pro1 18mm f2 23mm f1.4 35mm f1.4 60mm f2.8 Macro X-Pro 1 & 23mm minimal signs of use. Everything else as new. All items c/w box, accessories etc Message me for more info or pics if interested. Based in the UK

Slimming down my equipment so have the following for sale:- X-Pro2 X-Pro1 18mm f2 23mm f1.4 35mm f1.4 60mm f2.8 Macro X-Pro 1 & 23mm minimal signs of use. Everything else as new. All items c/w box, accessories etc Message me for more info or pics if interested. Based in the UK

I am selling one Fujifilm X-Pro2 (Black) Camera Body for $1450 or best offer. Cash (local pickup, item is located in Sacramento, CA, United States) or PayPal only. Will ship to verified PayPal shipping address only. This camera is used and I am the first & only original owner. Please be aware of other people selling similar camera for less, as they are most likely import models and warranty not honored in United States. I have receipt & proof of sale from B&H Photo where I originally purchased this camera new. Note: I made a small modification to the rear AFL button. Basically, I custom sculpted some black Sugru to enhance the tactile feel of the AFL button. Without it, I found the AFL button very flushed with the rear thumb grip area and hard to feel. After this modification, it is MUCH EASIER to feel for the AFL button to do back button focus and it is also easier to press the button from various thumb positions. The modification is very well sculpted by myself and I think it appear stock as if the camera was made with it. FYI, Sugru is a pliable silicone material and can be easily removed by peeling off and rubbing off the residue which may or may not be left when removed. Either way, this modification is easily reversible, please let me know if you want me to remove it or leave it on.. I think whoever owns and uses this camera will appreciate the modification. Camera body is excellent condition. Exhibits little to no signs of wear. No damage, scratches or blemishes that are note worthy. There might be some VERY few & VERY faint scratches, they are really hard to even notice and I would say such minimal signs of usage are going to be in these locations eventually no matter how hard you try to baby the camera, and I take care of my camera gear very well. Camera is fully functional and operates perfectly. As of 2/10/2017, camera has latest firmware v2.01 already updated and installed. Camera is complete with all original packaging and accessories as it should come with from manufacturer (NP-W126 Lithium-Ion Rechargeable Battery, Battery Charger & Power Cord, body cap, hot shoe cover, PC sync port cap, neck strap & lug attachments, owner's manual & warranty papers). I also already have an Expert Shield Crystal Clear Screen Protector applied to the rear screen. I guess I can only upload basically 1 photo. Contact me for more images or any inquires. Thanks. If you're seriously looking into this camera, I will assume you most likely know something about this camera. - Latest generation of To those who don't know, let me point out some of the finer points and advantages to the X-Pro2 sensor technology, 24mp X TransX Trans- Latest generation 3ofin camera processor, X Processor Pro -ACROS B&W Film Simulation - Dual Card Slots - Highest Rear Screen Resolution of all X cameras - One of the fastest EVF refresh rate, 85fps, second to the X-T2.. but 85 fps is plenty fast, nearly ZERO lag time, very responsive - Hybrid Viewfinder that included both an Electronic Viewfinder (EVF) and an Optical Viewfinder (OVF) - Electronic Rangefinder (ERF) with OVF make it possible to both confirm focus and manually focus with OVF - Focus Point Joystick - easier faster manipulation of AF point as well as menu navigation - Weather Resistant (WR) build - One of the fastest autofocusing mirrorless camera to date, 91 POINTS(7x13) and 325 POINTS(13x25) - Improvement of phase detection AF accuracy. By employing the new AF algorithm used in the X-T2, the AF accuracy has been improved. Sale of this item is final, so please ask any questions before committing to purchase. If you would like to discuss a best offer for this X-Pro2 camera body, please contact me directly to discuss. Thanks. INCLUDED: Owner's manual Clip attaching tool Protective cover Strap clip Body cap Shoulder strap Battery Charger BC-W126 Accessories included Li-ion battery NP-W126 SPECIFICATIONS: Starting up period Approx 0.4sec. Operating Humidity 10 - 80% (no condensation) Operating Temperature -10°C - +40°C / +32°F - +104°F Approx. 445g / 17.5 oz. (excluding accessories, battery and memory card) Weight Approx. 495g / 15.7 oz. (including battery and memory card) (Minimum depth: 34.8mm / 1.4 in.) Dimensions 140.5mm (W) x 82.8mm (H) x 45.9mm (D) / 5.5in. (W) x 3.3in. (H) x 1.8in. (D) Approx. 80 min. *Face detection is set to OFF Continuance battery life of movie capture*4 Approx. 55 min. *Face detection is set to OFF Actual battery life of movie capture*4 Approx. 250 / 350 frames (EVF / OVF, When XF35mmF1.4 R is set) *4 Battery life for still images*4 Power supply NP-W126 Li-ion battery (included) Hot shoe, Syncronized terminal *Mechanical release S1 button Microphone / shutter release input: ø2.5mm, stereo mini connector Others HDMI micro connector (Type D) HDMI output * connectable with Remote Release RR-90 (sold separately) USB 2.0 High-Speed / Micro USB Digital interface Terminal Other functions Exif Print, PRINT Image Matching II, Language(35 languages including JP / EN), Time difference, exposure preview on LCD during Manual mode, EVF brightness, EVF color, LCD brightness, LCD color, Mode effect on monitor, Customize Wireless function Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, PC Autosave, instax printer print Infrastructure Access mode WEP / WPA / WPA2 mixed mode Encryption IEEE 802.11b / g / n (standard wireless protocol) Standard Wireless transmitter Advanced filter Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) ISO restriction(DR100% : No limit, DR200% : ISO400 or more, DR400% : ISO800 ore more ) Dynamic range setting AUTO, 100%, 200%, 400% Film Simulation mode 15 modes (PROVIA / Standard, Velvia / Vivid, ASTIA / Soft, CLASSIC CHROME, PRO Neg.Hi, PRO Neg.Std, Black& White, Black& White+Ye Filter, Black& White+R Filter, Black& White+GFilter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter) * Use a card with SD Speed Class with class 10 or higher HD 1280x720 60p / 50p / 30p / 25p / 24p up to 28 min Movie recording Full HD 1920x1080 60p / 50p / 30p / 25p / 24p up to 14 min. LCD monitor 3.0-inch, aspect ratio 3:2, approx 1.62 millions dots Built-in eye sensor Diagonal angle of view : approx 29.1°(Horizontal angle of view : approx 24.4°) Magnification : 0.59x with 50 mm lens (35mm equivalent) at infinity and diopter set to -1.0m-1 Eyepoint : approx 16mm(from the rear end of the camera's eyepiece) Diopter adjustment : -4 to +2m-1 0.48-in TFT color viewfinder Approx 2.36 millions dots(4:3) Coverage of viewing area vs. capturing area : approx. 100% EVF Coverage of frame area v.s. capturing area: approx.92% Magnifications approx x0.36 / x0.60 Reverse Galilean viewfinder with electronic bright frame display OVF Viewfinder Hot shoe Yes (Dedicated TTL Flash compatible) * Red-eye removal is active when Face Detection is set to ON. Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Red-eye Reduction & Slow Synchro / Suppressed Flash / Red-eye Reduction & Rear-curtain Synchro / Commander Red-eye removal ON Auto / Forced Flash / Slow Synchro / Suppressed Flash / Rear-curtain Synchro / Commander Red-eye removal OFF Flash modes Interval timer shooting Yes (Setting : Interval, Number of shots, Starting time) Self-timer 10 sec. / 2 sec. Delay Preset : Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater Custom1 to 3 / Color temperature selection(2500K - 10000K) / White balance Automatic Scene recognition / * AF-C : Tracking * AF-S : Wide Wide／Tracking AF：（up to 18 area） Zone AF：3×3／5×5／7×7 from 91 areas on 13x 7 grid Single point AF：EVF/LCD/OVF：13x7/25x13(Changeable size of AF frame among 5 types) FUJIFILM X-Pro2 with Firmware Ver.2.00 or later * AF-C : Tracking * AF-S : Wide Wide / Tracking AF : (up to 18 area) Zone AF : 3x3 / 5x5 / 7x7 from 77 areas on 11x 7 grid, Single point AF : EVF / LCD / OVF : 11x7/21x13(Changeable size of AF frame among 5 types), FUJIFILM X-Pro2 with Firmware Ver.1.00 AF frame selection Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) type Single AF / Continuous AF / MF mode Focus White Balance Bracketing (±1 / ±2 / ±3) ISO sensitivity Bracketing (±1/3EV / ±2/3EV / ±1EV) Dynamic Range Bracketing (100% · 200% · 400%) Film simulation bracketing(Any 3 types of film simulation selectable) Auto bracketing AE Bracketing(±2EV / ±5/3EV / ±4/3EV / ±1EV / ±2/3EV / ±1/3EV) * Speed of continuous shooting depends on shooting environment and shooting frames * recordable frames depends on recording media Approx 3.0 fps(JPEG : endless Lossless Compression RAW : endless Uncompressed RAW : 36 frames) Continuous shooting Approx. 8.0 fps(JPEG : 83 frames Lossless compression RAW : 33 frames Uncompressed RAW : 27 frames) 1/250 sec. or slower Synchronized shutter speed for flash Bulb mode(up to 60 min), TIME : 30 sec. to 1/32000 sec. 4 sec. to 1/32000 sec.(P mode), 30 sec. to 1/32000 sec.(All modes) Mechanical + Electronic Shutter Bulb mode : 1 sec. fixed, TIME : 1 sec to 1/32000sec 1 sec. to 1/32000 sec.(P / A / S / M modes) Electronic Shutter*3 Bulb mode(up to 60 min), TIME : 30 sec. to 1/8000 sec. 4 sec. to 1/8000 sec.(P mode), 30 sec. to 1/8000 sec.(All modes) Mechanical Shutter Shutter speed Image Stabilizer Supported with OIS type lenses (movie recording : -2.0EV - +2.0EV) Exposure compensation -5.0EV - +5.0EV, 1/3EV step Exposure mode P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) Exposure control TTL 256-zone metering, Multi / Spot / Average / Center Weighted Extended output sensitivity : ISO100 / 25600 / 51200 Sensitivity AUTO1 / AUTO2 / AUTO3(up to ISO12800) / ISO200 to 12800(1/3 step)(Standard Output Sensitivity) Lens mount FUJIFILM X mount S: (3:2) 3008 x 2000 / (16:9) 3008 x 1688 / (1:1) 2000 x 2000 M: (3:2) 4240 x 2832 / (16:9) 4240 x 2384 / (1:1) 2832 x 2832 L: (3:2) 6000 x 4000 / (16:9) 6000 x 3376 / (1:1) 4000 x 4000 Number of recorded pixels Audio: Linear PCM/ Stereo sound 48KHz sampling Movie Video Compression: MPEG-4 AVC / H.264 Movie File Format: MOD Movie JPEG (Exif Ver.2.3)*2, RAW : 14bit RAW(RAF original format), RAW+JPEG (Design rule for Camera File system compliant / DPOF-compatible) Still image File format UHS-I/UHS-II(Only Slot 1)*1 Storage media SD memory card(up to 2GB) / SDHC memory card(up to 32GB) / SDXC memory card( to 256GB) Ultra Sonic Vibration Sensor Cleaning system Image sensor 23.6mm x 15.6mm(APS-C)X-Trans CMOS III with primary color filter. Number of effective pixels 24.3 millions pixels Model Name FUJIFILM X-Pro2

Also a few form XT2 and X70 but mainly two XP2s. All 4000 + frames from a Documentary style wedding shoot in a video lasting a just few minutes. By Kevin Mullins http://f16.click/wedding-photography/every-frame-wedding-x-pro2.html

This is essentially an old topic since it dates back to the X-Pro1, but since the X-Pro2 is out, I think it's still a relevant question and potential problem. As X-Pro1 owners already know the cap/cover for the most under-utilized feature on the camera would be that pc sync terminal is unique in that it is push in type and the the typical screw in one.. so, it's damn easy to lose.. just lost mine the other day. Sadly, there never seem to have been any replacement part offered by Fuji... after all this time.. and from what I can see, the X-Pro2 has the same stupid sync terminal that takes a unique push in type cap/cover. Now, I have the X-Pro2 on order and I anticipate this cap/cover to still be an issue.. I wouldn't' be so concerned, but the X-Pro2 is now weather sealed and if you lose the sync terminal cap/cover, and there is no replacement part offered by Fujifilm, then the X-Pro2's weather sealing is permanently compromised?.. Does this make sense to any of you guys/gals? I've sent my concern to Fujifilm via an email.. good luck waiting for a proper response, huh? Still, don't you think this is a major oversight and needs to be addressed?.. Really sucks if an opening and potential breach in weather sealing on such a expensive and high end camera has no quick and easy fix such as offering a replacement cap.. that's all it takes, but some reason Fujifilm doesn't seem to think it's important enough to address and offer.. what do you have to do?.. send in the camera just to get a replacement cap?.. buy another X-Pro just for spare parts just for this one little cap? I believe I've done my homework to see if I could find a replacement cap, but no luck. Anybody know of a suitable replacement cap?

Forget the advantages of the XT2 new AF modes and see what the X-Pro2 can offer using the OVF as a red dot sight. This was published before the launch if the XT2. http://www.mirrorlessons.com/2016/03/30/fuji-x-pro2-ovf-birds-in-flight/

As most of us already know, the Fuji image files look awesome. To be fair, image files from any camera these days will look really good, but there's something really special about the way the Fujifilm X Series cameras portray color and tone. While the Fuji image processors play a part in this, much of the Fuji mojo is due to the X-Trans sensor. With its proprietary non-Bayer pattern design, the X-Trans sensor reproduces color in a unique way that's different from the way it's done in just about every other digital camera. In my search to figure out what's really going on here, it occurred to me, (and was verified by a few of the Fuji reps and engineers), that the X-Trans sensor is actually very "film-like." It's much more so than most other sensors, and this is no accident. In designing the X-Trans sensor, the Fuji engineers looked back as much as they looked forward. Trying to preserve the heritage and legacy of traditional photography, they designed the "random" array on the X-Tran sensor so that it resembles the randomness of film. As we know, film was essentially silver halide glitter that was poured into a bowl of jelly and smeared onto a plastic base. There was nothing "regular" about the way grain looked in film, and although the X-Trans sensor isn't totally random, it does closely match the look of actual film grain, especially when it comes to the distribution of the green sensitive pixels. Compare that with an actually cross section of Autochrome Lumiere film from the early 1900s. It's amazing how close the pattern looks to the X-Trans sensor pattern. Also, compare the two image below, one is a scan from a Velvia slide, and the other is JPEG file from the X-T2. You can see an expanded version of this topic on my blog, along with more image examples. I've even got a side by side comparison of the grain in ACROS next to the old T-MAX 3200 film. I'm fascinated by this idea, let me know your thoughts! Below: An enlargement of the grain on an original Fujifilm Velvia slide film image. Below: An enlargement of an X-T2 JPEG file.

Severe testing in the Arctic. https://fujifilm-blog.com/2016/10/07/extreme-field-test-of-the-fujifilm-x-pro2-and-x-t2/?utm_campaign=7863094_Fujifilm X - The Digest 23-12-16&utm_medium=email&utm_source=Fujifilm Electronic Imaging Europe GmbH&dm_i=1Y2T,4OJ7A,G1XZFO,HHMKL,1

http://www.mostly.photos/blog/2016/11/12/fuji-x-t2-external-flash

https://capitalfaces.com/2016/11/05/super-wide-street-shooting-w-samyang-rokinon-12mm-f2/ If you're interested in going super wide for street, this lens is actually pretty good. (Art UK, there's not much for you to slag off in this write up (other than finding street photography offensive, and we know that already), but as ever, I'm all ears)

A little long-winded between photo bits but there is useful info there too. The various articles give a working photographer's view of his tools along with some excellent pictures. http://philippowell.uk/

Hi folks, It's late here, but I've just been messing around in settings, taking some bracketed shots just to try some software. All of of a sudden my X-Pro 2 is not telling me my aperture, even though it's set to aperture prioritity. I've just tried it with the XF 14, XF 23, XF 35 and the 56mm. No one of them a re responding to the camera body, I can't even do manual focus, this looks bad. Or I have I done something stupid? Hopefully I have. I have to sleep now, but I'm supposed to be doing a shoot tomorrow! If you can think of any thing, please let me know. This is really bad time for this to happen, hopefully I've overlooked something. I don't have time for a return right now.

Hey Everyone, This summer I spent 15 days in Japan. I took a X-Pro2 , X-T1 with the Xf23mm, Xf 18-55 & XC 50-230. I had purchased the X-Pro 2 for this trip, I used it for the first few days and didn't end up liking it. So I used my X-T1 for the remainder of the trip and Loved it!! Here is my photographic journey through this beautiful country. Enjoy! Japan 2016 - Gallery